Wanted Begins Broadway Previews at the James Earl Jones Theatre With Ledisi in Her First Principal Role

Wanted, a new musical about twin sisters Mary and Martha Clarke, began Broadway previews on Thursday, October 15, 2026, at the James Earl Jones Theatre on West 48th Street. Grammy winner Ledisi plays the sisters’ mother in her first Broadway principal role, and official opening night is set for Sunday, November 8.

Key Takeaways

  • Wanted plays the James Earl Jones Theatre at 138 West 48th Street, between Sixth and Seventh Avenues, with opening night on November 8, 2026.
  • Angelica Chéri, who wrote the book and lyrics, is a descendant of the real Clarke sisters, and Ross Baum wrote the music.
  • Solea Pfeiffer plays Mary Clarke and Liisi LaFontaine plays Martha Clarke, with Ledisi as their mother, Tallulah Clarke.
  • The musical, previously titled Gun & Powder, played Signature Theatre in Arlington, Virginia, in 2020 and Paper Mill Playhouse in New Jersey in 2024.
  • West End performer Bradley Jaden makes his Broadway debut in the role of Jesse.

A Family Story Reaches Broadway Through One of Its Descendants

Wanted is set in Texas in 1893. The musical follows Mary and Martha Clarke, Black twin sisters who pass as white and turn to outlawry to save their mother and protect what their family is owed. The production describes the show as the mostly true story of two women who went from farm girls to outlaws to legends, drawn from a Clarke family history passed down across generations.

That history arrives on Broadway through someone who inherited it. Angelica Chéri, who wrote the book and lyrics, is a descendant of the Clarke sisters. Most historical musicals rely on archives and secondhand accounts. Wanted carries a family’s own version of events into a commercial Broadway house, and that is the angle that sets it apart from the rest of the fall lineup.

Ross Baum, a Richard Rodgers Award winner, composed the score. Stevie Walker-Webb directs, Chelsey Arce choreographs and Paul Byssainthe Jr. handles music direction.

Ledisi Steps Into a Leading Role After Years in Supporting Parts

Ledisi has worked on Broadway before, in supporting roles and as a standby for the 2004 production of Caroline, or Change. Wanted gives the Grammy-winning singer her first principal role, Tallulah Clarke, the mother whose survival drives the sisters’ choices.

When the casting was announced in May, Ledisi framed the move as growth rather than a career change. “This isn’t a pivot… It’s another expansion of me,” she said. She also thanked Chéri, Baum and Walker-Webb for trusting her with the role.

The rest of the company pairs Broadway veterans with screen and recording talent:

  • Solea Pfeiffer, whose credits include Hadestown, plays Mary Clarke.
  • Liisi LaFontaine, known for Moulin Rouge! The Musical, plays Martha Clarke.
  • Grammy-nominated R&B artist Luke James plays Elijah.
  • Bradley Jaden plays Jesse. He came to the production after playing Javert in the Les Misérables arena concert tour, which wrapped at Radio City Music Hall.
  • Aurelia Williams and Awa Sal Secka return as Sissy and Flo, roles they played in earlier productions.

Six Years of Regional Runs Shaped the Broadway Version

Wanted Begins Broadway Previews at the James Earl Jones Theatre With Ledisi in Her First Principal Role

Photo Credit: Unsplash.com

Wanted did not arrive on Broadway untested. The musical premiered at Signature Theatre in Arlington, Virginia, in 2020, then played Paper Mill Playhouse in Millburn, New Jersey, in 2024 under its earlier title, Gun & Powder. The new title moves the focus from the violence in the story to the sisters themselves, two women hunted for refusing to give up their family’s claim.

Previews are where that work continues. Over the next three weeks, the creative team can adjust scenes, songs and staging in front of paying audiences before critics review the show on opening night. Theatergoers who buy tickets now will see a version of Wanted that may change before November 8.

The James Earl Jones Theatre Was Rebuilt With Musicals in Mind

The James Earl Jones Theatre is a fitting home for a show about family legacy. The 48th Street house opened in 1912 as the Cort Theatre. After a major restoration, the Shubert Organization renamed it in September 2022 for the late actor James Earl Jones, making it the second Broadway theater named for a Black artist.

That restoration also changed what the venue can hold. The James Earl Jones Theatre now has a wider stage, a trap room beneath it and a rehearsal room upstairs that matches the stage footprint. Those upgrades made full-scale musicals practical in a house long associated with plays. The auditorium has roughly 1,000 seats across three levels, and newer, wider seating trimmed a few seats from the original count.

For audiences planning a visit, the James Earl Jones Theatre sits on the south side of West 48th Street between Sixth and Seventh Avenues, a short walk from Times Square.

Wanted Joins a Busy Fall Broadway Calendar

Wanted is entering a crowded season. Billy Crystal’s new solo show opens at the Imperial Theatre on October 21. The Aaron Sorkin revival A Few Good Men opens at the Vivian Beaumont Theater on October 29. Jamie Lloyd’s Much Ado About Nothing, starring Tom Hiddleston and Hayley Atwell, begins previews on October 31.

The fall wave picked up speed in late September, when School Girls opened and The Imaginary Invalid began previews. Wanted adds a new musical to a season heavy on plays and revivals, and its November 8 opening will show whether a family-written frontier story can hold its place among star-driven revivals and Shakespeare.

 

FAQs

Where is the James Earl Jones Theatre?

The James Earl Jones Theatre is at 138 West 48th Street in Midtown Manhattan, between Sixth and Seventh Avenues. It is a short walk from Times Square.

When does Wanted open on Broadway?

Wanted began previews on October 15, 2026, and opens officially on Sunday, November 8, 2026, at the James Earl Jones Theatre.

What is the musical Wanted about?

Wanted follows Mary and Martha Clarke, Black twin sisters in 1893 Texas who pass as white and become outlaws to save their family. The story draws on the history of the real Clarke family.

Who stars in Wanted on Broadway?

Solea Pfeiffer and Liisi LaFontaine play the Clarke sisters, and Ledisi plays their mother, Tallulah Clarke. Luke James, Bradley Jaden, Aurelia Williams and Awa Sal Secka round out the principal cast.

Was the James Earl Jones Theatre always called that?

No. The venue opened in 1912 as the Cort Theatre. It was renamed for James Earl Jones in September 2022, following a full restoration.

Was Wanted performed before Broadway?

Yes. The musical premiered at Signature Theatre in Arlington, Virginia, in 2020. It later played Paper Mill Playhouse in New Jersey in 2024 under the title Gun & Powder.

Why Financial Institutions Are Rethinking Their Operating Models

The financial services industry is changing as technology, customer expectations, regulatory requirements, and competitive pressure reshape how institutions operate. Banks, asset managers, insurance companies, and other financial organizations are reassessing their traditional operating models to stay adaptable in a complex environment. Many are moving away from processes that depend on manual work, disconnected systems, and long-established structures, and toward more flexible and integrated approaches.

Rethinking an operating model takes more than new technology. It requires institutions to examine how their people, processes, systems, and governance work together. Understanding these changes helps organizations decide how to manage operational complexity while keeping reliability, accountability, and regulatory compliance intact.

Changing Customer Expectations

Customer expectations have shifted alongside the growth of digital services. Individuals and businesses now expect to handle financial activities through digital channels, with timely information, simple processes, and consistent service across platforms.

Traditional operating models can struggle to meet these expectations when customer information sits across multiple systems or when routine requests take several manual steps. These arrangements create delays, inconsistent communication, and extra administrative work.

Financial institutions are therefore reviewing how they design customer-facing processes. Digital onboarding, online account management, automated document processing, and integrated customer service platforms are all approaches the industry is exploring.

Improving the customer experience still takes careful planning. Institutions need to keep digital processes accessible, protect personal information, and support customers who need help. A strong operating model balances convenience with security, reliability, and human oversight.

Technology and the Modernization of Legacy Systems

Many financial organizations still depend on legacy technology built over several decades. These systems may support essential business functions, but they can become hard to maintain, integrate, or adapt to new requirements.

Disconnected applications also create information silos, which make it harder for teams to work from consistent data. Maintaining several overlapping systems adds technical complexity and slows routine operational changes.

Modernization strategies vary with an institution’s size, resources, and regulatory responsibilities. Some organizations replace outdated applications. Others introduce new technologies alongside existing infrastructure. Cloud computing, application programming interfaces, and modular software architectures can help institutions connect systems and gain flexibility.

Financial technology providers, including Linedata, operate within this broader environment of financial software and operational technology. The wider industry conversation points to the value of evaluating how technology supports existing workflows, information management, and organizational requirements.

Modernization is not only a technical exercise. Institutions need to assess migration risks, data quality, system compatibility, staff training, and the continuity of critical services before they make substantial changes.

Regulatory Compliance and Operational Resilience

Financial institutions work under extensive regulatory frameworks that support market integrity, protect customers, and reduce systemic risk. As requirements change, organizations need operating models that can absorb new reporting obligations, internal controls, and documentation standards.

Traditional processes that rely on spreadsheets, email exchanges, or separate reporting systems make consistent record keeping difficult. They can also complicate how teams identify errors and investigate operational incidents.

Many institutions are therefore reviewing how compliance fits into everyday operations. Centralized information management, automated validation checks, documented approval processes, and consistent audit trails help teams track their responsibilities.

Operational resilience matters just as much. Financial organizations need to prepare for cybersecurity incidents, technology failures, third-party disruptions, and other events that can affect essential services.

That preparation calls for clear responsibilities, tested recovery procedures, suitable backup arrangements, and regular assessment of critical dependencies. A resilient operating model does not remove every possible disruption. It helps an institution prepare for problems and respond in a controlled way.

Data Integration and Responsible Automation

Data now sits at the center of financial operations and shapes reporting, risk assessment, customer service, and internal decisions. Its usefulness depends on accuracy, accessibility, consistency, and sound governance.

When departments keep separate records or define the same information differently, inconsistencies appear. Financial institutions are therefore exploring more integrated data environments with clear ownership and common standards.

Automation is another consideration. Repetitive administrative activities such as document classification, reconciliation, and routine data checks can suit automated workflows. These approaches change how employees spend their time and how organizations structure operational responsibilities.

Artificial intelligence is also drawing attention for its potential role in analyzing information and supporting selected processes. Its use in financial services calls for appropriate safeguards, particularly where decisions affect customers, sensitive information, or regulatory obligations.

Human oversight, explainable processes, access controls, and ongoing monitoring remain essential. Institutions should introduce automation against clear objectives rather than treat it as a universal answer to every operational challenge.

Workforce Skills and Organizational Change

Changes to operating models affect employees as well as systems. New technologies and redesigned workflows often call for different skills, clearer responsibilities, and closer cooperation between departments.

Technology teams may need to work more directly with compliance specialists, operations managers, and business leaders. That collaboration helps new systems reflect practical requirements rather than technical considerations alone.

Training matters just as much. Employees need to understand new procedures, recognize potential risks, and know when a situation calls for human intervention. Without adequate preparation, even a well-designed system can be difficult to implement.

Leadership also plays a central role. Clear communication about the reasons for change, realistic implementation schedules, and opportunities for employee feedback help organizations manage transitions.

Where Operating Models Are Heading

Financial institutions are rethinking their operating models because established ways of working may no longer fit an environment shaped by digital expectations, regulatory complexity, cybersecurity concerns, and rapid technological development.

The bigger changes go beyond software adoption. They involve better coordination between departments, stronger data governance, modernized infrastructure, broader workforce capabilities, and preparation for operational disruption.

Each institution has to decide which changes suit its circumstances, its existing systems, resources, risk exposure, and regulatory obligations. A gradual, well-governed approach helps organizations understand what transformation involves before they expand new practices across operations.

The future of financial services will depend not only on technological innovation but also on how well institutions combine modern systems with responsible governance, skilled employees, and dependable processes.

New Jersey Corrections Officer J. Gonzalez Writes Horror After His Shift Ends

By day, he works corrections. Off the clock, that same world of procedure and controlled risk built the thriller now on Amazon under his own byline. It is also available via Barnes & Noble.

J. Gonzalez works as a corrections officer in New Jersey. Outside that job, he wrote The Devil’s Transfer, a thriller laced with slight dark humor that turns a routine prisoner transfer into a fight for survival in a town run by a cult devoted to the devil. The book was published on Amazon in January as a Kindle edition, and it draws its tension from a world Gonzalez already knows from the inside.

A Job That Runs On Control, A Book Built On Losing It

Corrections work depends on procedure holding. The Devil’s Transfer takes that idea and removes the procedure. Officers Jorge and Mark are moving a felon named Carter between facilities, a job with a clear set of steps and a predictable outcome, until a broken-down van and a wrong turn strand all three of them in Boone Helm. From there, the book is built around what happens once the structure that usually keeps a transfer routine stops applying.

“Anyone who works in corrections knows a transfer is never just a drive,” Gonzalez said. “I wanted to write the one where the danger isn’t in the back of the van.”

That line points to where the book actually gets its tension. Boone Helm’s threat does not announce itself. The mayor is warm in public, the town looks ordinary from the road, and the book withholds what the community actually worships until well after the reader has started to sense something is wrong. It is the kind of slow-building unease that comes from watching for what does not add up, rather than from anything more obviously dangerous, a habit of attention the job Gonzalez works every day depends on.

Three Men Who Stop Being On Opposite Sides

The setup puts Jorge and Mark, the two officers, on the same side as Carter, the man they are guarding, the moment Boone Helm closes in. Carter’s record does not disappear once the three of them need each other to get out, and the back half of the book turns on what happens when the line between the people guarding someone and the person being guarded stops being the only thing that matters. Old tension between the three resurfaces under the pressure of the town narrowing their options, and the book is written to resolve that tension on its own rather than leave it open for a sequel.

A Short, Direct Thriller

The Devil’s Transfer runs 90 pages, shorter than many titles currently topping the thriller category, and it is listed under Amazon’s Mystery, Thriller and Suspense category, while it also now available via Barnes & Noble. Early reader reviews on Amazon have pointed to the book’s tension and pacing as what stays with readers after they finish it. Gonzalez has not announced a second book, and the novel is written to stand as a complete story rather than set up what comes next.

Publishing under his own name puts a private habit into public view for the corrections officer behind it. The book carries the same close attention to procedure and control that the job requires, aimed instead at a story where both start breaking down.

Why Some Nail Salons Choose Dry Manicures and Pedicures

It is still common for a manicure or pedicure to begin with soaking the hands or feet in warm water, since customers are used to this, even though the water is not always necessary. Some salons take a different approach and remove the soak completely, making it easier to see the nails and the surrounding skin as they really are, such as any dry or rough areas. The dry method is also a key part that distinguishes a Russian manicure from a traditional one.

Rather than using water to soften the skin, nail technicians clean the cuticle area and remove dead skin with an e-file, choosing different bits and speeds according to the client’s skin type, nail condition, and personal requirements. For example, with thin nails and sensitive skin, a more gentle approach is recommended – with less pressure, and sometimes it makes sense to change the bit mid-treatment or switch to working by hand.

At Mars Nails, a Russian manicure and dry pedicure salon in Manhattan, the technicians use that flexible way as part of their daily routine by first examining the nails and the surrounding skin, after which they choose the right tools and technique for each individual client.

Why Preparation Matters

Photo Courtesy: Mars Nails

A Russian manicure doesn’t necessarily include gel polish and can easily be done without any coating at all. In either way, the basic elements of the procedure stay unchanged: careful attention to the cuticles and thorough preparation of the nail plate, since working without water lets the technician concentrate more on the cuticle area and the dry skin along the sides of the nails.

Even if the client wishes to have gel polish, it is applied only after this stage, although in the absence of any coating, well-treated cuticles and clean sidewalls do make a noticeable difference to the appearance of the natural nails.

The Same Approach, but Different Pedicure Tools

Photo Courtesy: Mars Nails

A dry pedicure is not simply a Russian manicure applied to the feet. Since toenails have their own shape and have sensitive sides, even for cutting toenails, special care is needed: instead of cutting off a large piece at one time, the technician shortens the nail in small stages, especially if the nail tends to crack or split.

From there, a soft file is usually enough to finish shaping the nail before the technician selects the appropriate e-file bits to clean the skin around the nails and smooth out small patches of rough skin on the toes.

The heels do, however, need a different approach. Because the skin on the heels is much thicker than the delicate skin around the toenails, and often develops dry, rough areas or calluses, technicians switch to different tools and techniques depending on the skin’s condition and thickness.

What to Look for During and After a Manicure or Pedicure

After the service has been completed, the nails should have smooth edges, with no rough areas that might catch on clothes or any visible scratches caused by filing. The skin around the nails should appear neat and free from any new cuts or signs of redness. With regular or gel polish, it is also a good idea to check the edges of the color since it should stay cleanly on the nail and not spread over the surrounding skin.

During the procedure, you should not have to feel any pain or a burning sensation while your nails are being filed or your cuticles are being treated. Since rubbing the same area repeatedly with an e-file easily leads to irritation, particularly around the cuticles and the toes, you should let the technician know if the skin becomes sensitive so that they can change their technique.

In fact, an experienced nail technician doesn’t work on all areas in the same way; in some places only a little gentle filing may be necessary, another area might require a different bit, and sometimes the best decision is not to touch a sensitive spot at all.

A beautiful coating is easy to appreciate in a photo, but it’s only during and after the appointment that the real quality of nail preparation becomes apparent – and it is precisely these details that are given special attention at Mars Nails.