Michael Zuzek’s latest LP, “Everest,” is a compelling blend of introspection and musicality that takes listeners on an emotional odyssey through heartache, resilience, and personal growth. The album features contributions from a stellar lineup, including Maarten Colenbrander, Marco Ciardullo, Scott Fordham, and Brandon Marks, among others. Co-produced and mastered with Aidan Ellison, “Everest” is a testament to Zuzek’s multifaceted talent as an engineer, producer, and musician.
The album opens with “The Man Who’s Never Found,” a track that sets the tone with its haunting piano melodies and Zuzek’s introspective lyrics. The song explores themes of solitude and longing, underpinned by Maarten Colenbrander and Scott Fordham’s bass guitars, as well as Marco Ciardullo’s electric guitar contributions. Zuzek’s vocals deliver a raw emotionality that resonates deeply.
“All Comes Back” is another standout track, co-written with Scott Fordham and Robbie Robertson. The song features a more upbeat tempo at 127 BPM and juxtaposes reflective lyrics with vibrant instrumentals. Zuzek’s vocals glide over the intricate piano, E-piano, and organ arrangements, creating a rich sonic landscape. The recurring line “Na na na it all comes back to you” echoes with a sense of cyclical inevitability that ties the song together beautifully.
In contrast, “5000 Days” picks up the pace with a brisk 180 BPM. This track showcases Zuzek’s versatility as a songwriter, blending soulful lyrics with dynamic drum programming. The narrative of enduring love and the passage of time is poignantly portrayed through Zuzek’s evocative vocal delivery and the interplay between piano, synth, and Ciardullo’s electric guitar.
“No Other” slows things down with a verse tempo of 94 BPM and a chorus that rises to 108 BPM. The song delves into the complexities of broken relationships and the yearning for second chances. Zuzek’s piano and organ work, accompanied by Brandon Marks on electric guitar and Leah Vanderbyl on drums, create a melancholic yet hopeful atmosphere.
“Sweet And Kind” and “Mean Old Woman” offer contrasting emotional landscapes. “Sweet And Kind” reflects on lost love and the bittersweet memories that linger. The repetitive lines “She builds me up, She breaks me down” capture the tumultuous nature of relationships, with Zuzek’s organ and piano work adding to the song’s emotional gravity.
On the other hand, “Mean Old Woman” is a tribute to a steadfast friend who has passed on. The song’s lively rhythm and Zuzek’s soulful storytelling celebrate the enduring impact of the woman’s life. The lively instrumental arrangement, with Ciardullo’s electric guitar at the forefront, creates a tribute that is both heartfelt and uplifting.
“Has My God Forsaken Me” and “Hand Picked” are exemplary of Zuzek’s ability to blend lyrical depth with intricate musical arrangements. “Has My God Forsaken Me” questions faith and the presence of a higher power in times of despair. The combined effort of Zuzek’s piano, synth, and organ work with the driving bass lines of Colenbrander and Ciardullo’s electric guitar creates a profound resonance.
“Hand Picked” features Connor Cholman on electric guitar alongside Ciardullo. This track’s narrative of love and loss is elevated by Zuzek’s masterful piano and organ work, which weave seamlessly with the bass guitar, creating a harmonious balance between the poignant lyrics and the uplifting instrumentals.
“Everest” is a deeply personal and intricately crafted album that showcases Michael Zuzek’s multifaceted talents. From the haunting melodies of “The Man Who’s Never Found” to the reflective optimism of “All Comes Back” and the soulful introspection of “5000 Days,” each track offers a unique emotional experience.
The collaborative efforts of Zuzek with his fellow musicians and co-producer Aidan Ellison bring a richness and depth to the album that is both immersive and engaging. “Everest” stands as a testament to Zuzek’s artistry, making it a must-listen for fans of heartfelt, introspective music.
Published by: Khy Talara
